As promised in the entry earlier today, here’s a picture of Notre Dame all cleaned up. This was taken by Clay Doyle in 2005 during Paris’s bid for the 2012 Olympic Games.
Note the bit of scaffolding in exactly the same location as 1954.
To start here’s a picture of Notre Dame. Scaffolding: that’s something that belongs in the things never change category.
However, what are all those cute cars doing parked right in front? … and wow, the whole cathedral needs a good scrubbing! (Stay tuned for a “scrubbed up” version.)
I’ve been recently reminded that it will soon be white asparagus season in Europe. Living again in Los Angeles, I truly miss not only the changing seasons, but the various foods and flowers and activities that accompany the seasons. White asparagus was something that I truly looked forward to each year. Not only did it mean that springtime was fully upon us after the cold and dreary winter, but it is uniquely delicious. With the first, very expensive, arrivals in the markets I would buy a bunch and have a dinner party with a first course of the steamed stalks doused in clarified butter. Soon the asparagus would be everywhere, on restaurant menus and in all the markets, growing cheaper as it became more abundant. It’s extraordinarily popular in the Netherlands, Germany and France. I’d eat it often, because I knew that, as spring dissolved into summer, the white asparagus would one day disappear. It would vanish completely, as suddenly as it arrived.
I can get white asparagus in Los Angeles, sporadically, all year round. It’s flown in from around the world, from hot houses and South America. The northern European asparagus is grown locally, and there’s a difference, not only in preparation, but in the stalk itself, between the Dutch, the German, and the French sorts.
It’s hard to get excited about our imported white asparagus, partly because it doesn’t taste the same, and partly, yes, because of it’s ubiquity. Like the tulips, which would arrive in Amsterdam even before the asparagus, often when it was still quite wintry, the seasonality was central. For several months, I could buy 50 tulips, enough to fill the apartment, for a pittance. Every week would bring different varieties and colors to the flower market on the Singel. And then one day they’d be gone, replaced by other flowers. I still think of them when I see the expensive bunches of eight or ten here, already tired from their long flight across the ocean and continent. And I long for bunches of tulips and for asparagus season. —Clay
The Hotel Roommate Oscar on the Plaza Mella in Madrid strikes a terrific balance between fun and comfort. It has everything you really need in a hotel – great location, comfortable rooms, nice bath, plus a few terrific extras. There is a terrific breakfast buffet with pastries, ham, juice, delicious coffee, cheese and more (the Spanish love a big breakfast). Plus the breakfast is served until late in the day. There is also a stylish rooftop bar that is perfect for a not-too-expensive drink or glass of wine while you watch the sun set behind the art deco Telefonica tower.
The rooms are quirky, but quite comfortable. Although there seems to be a number of different configurations our standard room was spacious, had a bed that made you want to take a siesta, a spacious bathroom with a huge glass shower, plenty of storage and good lighting. The design of the room was clean and minimalist. The walls and fabrics were white.. On one side a large PG-13 black and white, nearly abstract photomural of naked models graced the wall (What must some of the guests made of this? The clientele is isn’t exclusively young or hip.) while across from the photomural was a functional and beautiful translucent mirror that had suspended lightbulbs behind it that created a relaxing atmosphere when you turned it on. There are also deluxe rooms which have large windows overlooking the square in front of the hotel.
The staff is stylish and friendly, service is minimal (no bellboys, no waiters at breakfast or room service). We suppose this is how they keep the price at a reasonable 100 Euros a night for such a comfortable hotel.
The Oscar is part of the Spanish Roommate Hotel chain. They have four other hotels in Madrid, each with a distinctive style and personality.
I like finding places or stores that have vintage things that are either great fun to experience or realtively easy on the pocket book. A New York Times blog pointed me to a fantastic looking little bicycle shop in Paris that is run by “two childhood friends who decided to open a totally awesome vintage bike shop.”
I’d love to check out their store in the 18th arrondissement next time I’m in Paris and maybe “test drive all or any of our [Velo Vintage’s] old school bikes.”
Enjoy their colorful website with all the “charm retro des années 70/80”: www.velo-vintage.com/
I snapped this picture at Bofinger, the classic French brasserie, on my last visit to Paris, where this brochure seemed starkly out of place.
Bofinger is more than a century old, with leather banquettes, polished brass, white linen, well-used silver, and a stunning stained-glass dome. The menu is limited and classic, the service precise, perfect and very accommodating. Part of the pleasure of Bofinger, and places like it, is the feeling that you have stepped back in time—into a romanticized, literary or cinematic Parisian fantasy.
All this is prelude to my dismay at finding this glossy, 4-color promotional brochure dominating our otherwise impeccably set table. This photo-adorned shiny brochure—so very aggressive, so very American, so expected at your local chain eatery—gave the impression of a very loud, uninvited guest.
I suppose the corporation that owns Bofinger (along with numerous other well-known Paris brasseries) would like you to know they have some special “value meals” as well as, apparently, a marketing arrangement with Guinness—but isn’t there a way to do it in a manner more in keeping with the Bofinger atmosphere, or I could even say, brand?
Of course there is: the decidedly old fashioned menus, when presented, contain a decidedly old fashioned card providing the same information as on the glossy brochure. Neither made me want to order a Guinness, but the card did not offend.
Lest you think I’m being over sensitive, the very correct waiters at Bofinger made no attempt to hide their contempt for these intruders on their “theater” of the table. They set each vacant table with the offending brochure and then—immediately upon seating the guests and handing out the menus—whisked them away, never to be seen again.
If only the waiters ran the company.
In the main room at Bofinger, Paris: it’s not Au Courant, it’s not trendy, it’s certainly not undiscovered, but I love it. As do many Parisians and visitors alike.